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                      | Seven Ways to 
                        Select a Book Topic That Sells by: Judy Cullins
 
 Since a book title is the number one "Essential 
                        Hot-Selling Point" for your book, it's a good idea 
                        to choose one that sells well.
 
                          [ Read Full 
                        Article ]Write what you are passionate about.
 Write down five topics that stir your passion.
 Write a book your audience needs or wants.
 Research your target market. Compare your book with other reputable, good sellers 
                            in your field.
 Survey your market. Create a winning vision for your book 
 
 
						  
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                      | Writer's ArticlesFiction Writing Lessons from Shakespeare
 by: Wendy Woudstra
 
 
  Common 
                        advice in all fields of study is for the student to take 
                        lessons from a master. Unfortunately for those who wish 
                        to write fiction -- either in plays or stories -- the 
                        most renowned and highest authority in the art of fiction-making 
                        is long dead. 
 Few would argue William Shakespeare's supremacy in the 
                        art of creating a compelling story. And since he never 
                        wrote, "Will Shakespeare's Guide to Writing Great 
                        Stories," if we are to learn from this master, we 
                        must draw lessons from his works.
 
 The following would seem to be the cardinal elements the 
                        Bard would likely include in his guide for writers:
 
 1) You must have a story to tell.
 
 2) Your story must introduce us to extraordinary people; 
                        not impossible people, but characters whose circumstances 
                        and lives are able to engender powerful interest.
 
 3) Your story must be thoroughly developed and told with 
                        consumate skill.
 
 4) The amosphere of actual human life must be so artfully 
                        hung over all the scenes that we feel it, breathe it, 
                        and live in it while we read.
 
 5) Every element of your story must be referable to the 
                        sources of human passion, aspiration, credulity, fancy, 
                        faith or manners. Nothing in it must be untrue to the 
                        universal human possibilities; but each dramati crisis 
                        must turn on some extraordinary conjunction. The commonplace 
                        must not be preponderate.
 
 6) There must be absolute dramatic vision; without this 
                        the novel is a mere tale, the drama a mere play, the painting 
                        a lifeless transcript, the music a meaningless tinkle, 
                        the sculpture a form without suggestion.
 
 7) Last comes style, which is the final stamp of the parsonality 
                        of genius. There is no such thing as a materpiece without 
                        the presence of this indestructible preservative.
 
 About The Author
 
 Wendy Woudstra
 
 For more great articles, tips and resources for writers 
                        and publishers, visit http://www.PublishingCentral.com.
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